© Photo: Research for MAR Residency, Madrid, 2022. Renata Cervetto
Narrating the Gaps: Art and Education
Archives in Cultural Institutions
November 21, 2024 - 6pm
Free, no reservation required
In English and French
In this presentation, Daniel Fiset, co-editor of Art as pedagogy. Pedagogy as art : Institute, narrate and practice, produced by centre Turbine, will give a more general introduction to the forthcoming publication. As part of this editorial project, which focuses on the relationship between contemporary art and experimental pedagogies, Renata Cervetto will present and discuss her contribution to the publication in the form of a selection of case studies focusing on archives in art and education and their main challenges. This research is related to her practice as a pedagogical curator and educator, as well as her current work as a PhD candidate in UOC (Barcelona).
This event is part of the program Writing With the Body
Initiated and organized by Marcela Borquez, Renata Cervetto and Carla Rangel, Writing With the Body is a one-month public program running at the SBC Gallery of Contemporary Art from November 19 to December 14, 2024. Conceived as a collective learning space, the program will include the intensive workshop, as well as rounds tables, screenings, activations, and activities open to everyone. Contributions by artists Verena Melgarejo, Amanda Gutiérrez, Florencia Sosa Rey, Colectiva Polea and Helena Martin Franco will foster a deeper exploration of Anzaldúa’s work and legacy. The public program has been put together in partnership with Artenso (Research and Innovation Centre for Art and Social Engagement), LabARD (Arts Research Laboratory in Decoloniality of UQAM), centre Turbine, OMEC-INRS (Observatory of Cultural Mediations) and DARE-DARE.
PARTICIPANTS
Renata Cervetto est actuellement doctorante à l'UOC (Barcelone). Elle a un diplôme en histoire de l'art (UBA), possède un Master en histoire de l'art contemporain et culture visuelle (UCM, 2023) et a complété le programme en commissariat par de Appel (Amsterdam, 2014). Elle travaille à l'intersection du commissariat et de l'éducation, en se concentrant sur la manière dont l'art favorise de nouveaux formats de médiation et des projets communautaires à long terme. En tant qu'éditrice et autrice, elle a publié plusieurs ouvrages et articles sur ces sujets. Elle a fait partie de l'équipe curatoriale de la 11e Biennale de Berlin (2019-2020) et a coordonné le département éducatif au MALBA (2015-2018).
© Photo: Antonio Bellón
© Photo: Tanha Gomes
Daniel Fiset is a cultural worker, curator, researcher and author based in Tiohtià:ke/Mooniyang/Montréal. Fiset holds a Ph.D. in Art History from the Université de Montréal, in which he examined philo-technological relationships between artistic and amateur practices in photography. His doctoral research has been supported by the SSHRC and the FRQSC. His current research addresses the intersections of art and pedagogy in cultural institutions, as well as artists' interventions in urban, post-urban and suburban territories. His art criticism has been published in esse arts + opinions, Spirale, Vie des arts, Ciel Variable and ESPACE. He currently serves as Adjunct Curator of Engagement for the PHI Foundation for Contemporary Art. Recent projects at the Foundation include the group exhibition Terms of Use, co-curated with Cheryl Sim, as well as the development of a robust public engagement programme, which has included projects by My-Van Dam, Natacha Clitandre, Annie Baillargeon, Jacqueline van de Geer, the Bureau of Noncompetitive Research, Amélie Brisson-Darveau and Pavitra Wickramasinghe, Nadège Grebmeier Forget, doux soft club, Marlon Kroll, Michaëlle Sergile, Kama La Mackerel, Emma Haraké, Marjolaine Bourdua, Helena Martin Franco and Sheena Hoszko. Recent independent projects include the curation of Regards croisés, a group exhibition for the Grantham Foundation, Geneviève Thibault's Corps habité for DRAC Art Actuel, and the curation of 2022's Biennale de sculpture contemporaine de Trois-Rivières, Marche Démarche Manoeuvre. Fiset serves as the Director of Curatorial Affairs for the Bureau of Noncompetitive Research.
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